Category: Reviews


LightStudio iPhone App Lets You Take Studio Pictures (And shows You How Too)If you like the SLR iPhone app that lets you take studio pictures from your iPhone, you're gonna love LightStudio ($1.99 on the app store).

It is a great fun while riding the train to work, or waiting on the bench for your date to arrive. The application is built from a series of lighting setups each has several tabs or "functions".

If you are familiar with lighting, the first tab is kinda trivial and shows the setup and a sample portrait taken with that setup. By setup I mean "Rembrandt Light", Clamshell, Butterfly and so on.

If, on the other hand, you are new to photographic lighting, this is a great resource to have on your next train ride. Just browsing through the setups and getting familiar with the "classic" lighting positions.

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Jump awayAs I was telling a week ago, I got me some PocketWizards. Last week I shared why I thought that PWs were a good choice. There was quite an interesting debate on the comments whether this "industry standard" set is worth its high mark price - $169 apiece and you need two - and I recommend reading those comments and opinions before making any decisions.

In this post, I will share my thoughts on the PWs. My likes and dislikes. Now, this goes without saying (yet, I'll say it anyway) those are my opinions, there are not absolute truths (and my wife will testify to that). I am also aware of the fact that a lot has been written about this set, however, they are still considered the standard and for that alone deserve the attention.

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Radio Slaves Triggers - PocketWizard Review - Part 1If you remember a while ago, I was full of pain about my crappy you-get-what-you-pay-for radio slaves. When they worked, it was a match made in heaven. Sadly, they did not always work.

Long story short. I made a change. In this two posts series,  I will first detail how and why I came to select Pocketwizard as my radio system and then share my first impressions after using it for more than a month.

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JimLately I've been finding myself wanting more out of my all around umbrella. I've been using the Westcott double fold umbrella for a long time now as my main on location modifier. While I am generally happy with it as a softening device, I wanted to have some more options in my bag without giving up on portability.

The Softlighter II by Photek provides an interesting option for that sake. I've been using it for a few days and in general I am pretty happy.

The images on this review are from a recent shoot for Jim Ridolfo profile pic. Jim Ridolfo is an Assistant Professor of Composition and Rhetoric at The University of Cincinnati.

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The Moment It Clicks / Joe McNally - A Book ReviewI just put down Joe McNally's The Moment It clicks. It clicked. I don't really know how to catalog this book, it is not a learn-photography-techniques book, not a biography and not a Manifesto. Or maybe it is a little bit of all three.

When coming to review it I didn't really know how to break the book down, there is some structure to it created by having four different chapter and some sections, but it didn't for feel right to go part by part and review it. instead it felt right-er to review the whole thing as a whole.

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In which fabric "wall clings" win me over

LT_sample_prints.jpg

We recently had this little start-up named Larger Than Life (LTL) prints join us on Makers Market. They came on board with the sweet Mars Attacks! trading card art license from Topps, and they were making all kinds of extravagant claims about their business model: They'd print any image you want in poster sizes up to 7'. They'd cut your image to shape if you didn't want a rectangle. They were using some kind of miracle fabric substrate covered with a low-tack adhesive that you could just smooth directly onto the wall. Kinda like a post-it note, they claimed, you could remove it and reposition it many, many times, and it wouldn't damage the wall. I was, frankly, fairly skeptical.

They sent me a couple of samples, shown above, which I just now received and applied to my wall, and I am pleased to be able to report that the technology is apparently everything they claim. Plus the prints look great.

They sent me the four-foot size, which they recommend applying with a friend, because you have to peel it off of a wax-paper backing and get it aligned and smooth on the wall and that's a lot easier, with a large size, if you've got four hands. But I was able to do it by myself with only a minimum of swearing by just peeling off the top edge of the decal, aligning it and smoothing it down on the wall, and then reaching behind the hanging print to peel off the backing from the top down, smoothing the decal to the wall as I went.

I just put them up a week ago, so I can't report anything about how long the adhesive really lasts, or if it will really stay on the wall for months or years until I move. Or whether, when I do finally remove it, if it will really leave the wall undamaged. But this far into the product life-cycle, anyway, I am beyond impressed. The prints cling tight to the wall and, unless you look really close, appear to be painted on--like you've got custom murals painted right on your walls.

Thumbnail image for CC3-retouched-500px-wide.jpgOK, so the technology appears to deliver on their claims, but what about the cost? I recently scored a golden-age comic book ("Camera Comics, #3," published in 1944) featuring a beyond-awesome cover showing a female American combat reporter walloping a Nazi with a Kodak Medalist II. I bought it just for the cover, took a hi-res scan, retouched it, and decided I wanted to print two 17x24" posters of it for myself and my buddy, Billy, who has a total gear-geek obsession with the Medalist II. I uploaded my art at LTLprints.com and two copies came to $60, with shipping.

Aye, methinks, there's the rub. I can do way better than that at a copy shop. So I go over to my local no-longer-Kinko's and have two copies printed on matte paper at 17x24" for $40, proudly saving myself $20.

What I hadn't counted on, of course, was the cost of mounting to the wall. I could just hang the paper on the wall with thumbtacks or tape, certainly, but I wanted a touch classier than just bare paper stuck to a wall. So I start looking for frames, and realize A) I can't get a frame in exactly the size I want and B) even the cheapest frames of the closest acceptable size are going to cost me around $20 apiece, including shipping. And I'll have to put a hole in the wall to hang them. So paper printouts, crappy frames, and holes in the walls for $80 together, versus the $60 LTL wanted for the whole package, including that awesome painted-on effect. Next time I want to print a custom poster I'm going with the wall cling.

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Tamron releases 60mm F2 Macro for Sony

Tamron has announced the availability of the its 60mm F/2 Di macro lens in Sony mount, to join the Canon and Nikon versions which are already shipping. The lens features a built-in AF motor, and provides 1:1 magnification with an unusually fast maximum aperture for a macro lens. It's designed excusively for APS-C sensors, and will vignette when used on full-frame camera such as the Alpha 850 and 900. The lens will start shipping from October 2009.

Hasselblad releases H4D-60 and H4D-50 medium format cameras

Hasselblad has introduced two new cameras to its H System of medium format cameras. First comes the H4D-60 with a 60MP sensor. It features the 'True Focus' AF system that can measure the movement of the camera when recomposing after focusing to ensure that focus remains on the target - a system Hasselblad calls Absolute Position Lock. Along with the H4D-60, the company has also launched the H4D-50 with a 50MP sensor, replacing the H3DII-50. The H4D-60 will start shipping from November 2009 at a retail price of €28,995 and the H4D-50 will ship in the first quarter of 2010 at a retail price of €19,995.

Panasonic updates firmware for DMC-LX3

Panasonic has posted a firmware update for its Lumix DMC-LX3 digital compact camera. Version 2.0 brings a host of additional functions as well as feature improvements for the 14-month-old camera. Changes include a 20% AF-speed increase at the wide-angle position, the addition of white balance bracketing and an expansion of the available exposure compensation. It also adds a High Dynamic scene mode, 1:1 aspect-ratio shooting and improves white balance performance.

Panasonic Lumix G 20mm F1.7 lens review

Just posted! Our lens review of the Panasonic Lumix G 20mm F1.7 ASPH (also known, somewhat cyptically, as the H-H020). There's little doubt that this year's small-bodied Micro Four Thirds cameras have attracted a lot of attention, and by way of an appetiser for our upcoming Panasonic GF1 review, we take a look at its compact, large aperture kit lens. True to the system's spirit of cross-brand co-operation, we've also taken the opportunity to shoot an extensive samples gallery using the Olympus E-P1. Click through to discover whether we found the lens to be up to standard.
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